John Suler's Photographic Psychology: Image and Psyche

 

Part 3: Creative Captures and Post-Processing

 

Now that we have a foundation based on the ideas discussed in Parts 1 and 2, we can venture deeper into the psychology of shooting and post-processing images. This section will explore how some of the well-known psychological theories about artists and the creative process apply to photographers, including photographers who aren’t necessarily interested in being an “artist.” How do we realize our goals for the images we create, and learn to enrich our appreciation of the visual experience? Let's think about the right and wrong way to do things, and when we shouldn't worry about that distinction. I'll discuss practical ideas, as well as present some creative exercises and techniques.

Breaking rules
Image shaping (post-processing)
Serendipity (the happy accident)
Shooting clones
Categorizing images
Instant Image?
Artistic voice
The good capture
Head transplants
Let it grow: Turning errors into seeds
The Golden (Magic) Hour
Microexpressions
The varieties of self-portrait experiences
The one that got away
Get the shot right
To delete or not to delete
Reversals
One spot shots
Museum shoots
Drive-by photography
The decisive moment
Surreal photography
Chiaroscuro
Image Brainstorming




Photographic Psychology: Image and Psyche


users.rider.edu/~suler/photopsy/article_index.htm